BiLLY RANCHER & THE UNREAL GODS
featuring:
"The Goddess a Go-Go"
(Celeste & Candyce here)
News Wave (and Ska)
The Summer of 1982 finds Billy Rancher and The Unreal Gods bursting at the seams of their Pacific NorthWest stronghold, Portland, Oregon. Billy built the band for greatness and the Unreal Gods are ready to make their move on the big time. It's either New York, Los Angeles or both. In October, the band is playing gigs in suburban New Jersey. Bruce Springsteen offers words of encouragement and the suggestion of recording at New York's legendary Power Station. Three days and five songs later, Billy and the Unreal Gods are captured at their creative peak. Clive Davis hears the results and signs the band to Arista Records. For thirty-five years, these recordings have sat in the vaults, a snapshot in time. Boom Chuck Partners consisting of Astrid Rancher, Billy Flaxel, Jon DuFresne, Dave Stricker and Alf Rider(Wolf) aka Alf Delia. They have pooled their resources and energies to bring these recordings back to the public, re-mastered by the original Power Station engineer, Larry Alexander and produced by Joe Delia.
"UPSTROKE DOWN"
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Billy Rancher & The Unreal Gods
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Billy Rancher & The Unreal Gods
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Billy Rancher & The Unreal God
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Billy Rancher & The Unreal God
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Billy Rancher & The Unreal God
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Billy Rancher & The Unreal God
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Billy Rancher & The Unreal God
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Billy Rancher & The Unreal God
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Billy Rancher & The Unreal God
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Billy Rancher & The Unreal God
Just in time for The Holidays. It’s the Upstroke Down VIP Numbered Collector’s Vinyl. There are 300 numbered gatefold, 180g Vinyl albums. Heavyweight 180g Vinyl can reduce the amount of wow and flutter audible on a record, the larger mass enables the platter to move at a more continuous speed. ... Heavier weight vinyl records are less prone to warping which has always been a reason to press to 180g.